The Douglas Archives

A collection of historical and genalogical records

Maestro Gregorio (news 1492)
news 1492
The portal has rather simple jambs, an arch decorated with classical foliage motifs closed by a keystone with a cherub and flanked by two roundels with the coats of arms and names of the clients, a frieze of the trabeazine above still with foliage; above it is a cymatium with the Scotti family coat of arms in the center flanked by volutes and sphinxes and surmounted by a pair of dolphins

OBJECT
portal
MATERIAL AND TECHNIQUE
STONE
Terracotta
ATTRIBUTIONS
Master Gregory (news 1492)
LOCATION
Morigi boys' college
ADDRESS
Via Taverna 37, Piacenza (PC)
HISTORICAL CRITICAL NEWS
Piero Gazzola (1937) was the first to publish the text of the notarial deed between the client Ettore Scotti and a certain Mastro Gregorio, dated 1492, for the construction of the portal, a deed kept in the College Archives. Again, Gazzola, comparing this portal to that of Palazzo Landi due to the splendor of its decoration, lists it among the most important in the city. He finds resonances in the "archaeological taste common to the Cremonese terracottas of the time", in the sculpted head of the frieze extending the pilasters, which are, however, inspired "by good Roman examples of the late empire". Overall he notes a lack of stylistic coherence in the lack of cohesion between the portal and the heraldic crown, compensated by a "lively sense of fleshy plasticity". The dominant motifs of the decoration, cornucopias, tendrils, flowers and dolphins, are usual in the Lombard art of this period and can be found in the two most significant buildings of the time: the Certosa di Pavia and the Colleoni Chapel in Bergamo, where they are used in plenty for the decoration of pilasters and pillars. The strong spiral motif of the upper acroterion is also present in the Castiglioni Monument in Castiglione Olona and the dolphins at the top vaguely recall certain details of the washbasins of the Certosa di Pavia. From this we deduce that Maetro Gherardo must have been well acquainted with the Lombard culture of the time, of which he gave in this work a formal reworking of notable quality and elegance
CARD TYPE
Works/objects of art
LEGAL CONDITION
property Non-territorial public body
NATIONAL CATALOG CODE
0800148567
COMPETENT BODY FOR PROTECTION
Superintendence for Historical, Artistic and Ethnoanthropological Heritage for the provinces of Parma and Piacenza
FILING BODY
Superintendence for Historical, Artistic and Ethnoanthropological Heritage for the provinces of Parma and Piacenza
COMPILATION DATE
1981
DATE OF UPDATE
2006
REGISTRATIONS
edge of the clypeus to the left of the arch - HECTOR SCOTOS - capital letters - engraved - Latin

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Comment by William Douglas on December 26, 2023 at 16:36

Making conections

The more information you can give about the people you mention, the more chance there is of someone else connecting with your family.

Dates and places of births, deaths and marriages all help to place families.

Professions also help.

'My great-grandmother mother was a Douglas from Montrose' does not give many clues to follow up! But a bit of flesh on the bones makes further research possible. But if we are told who she married, what his profession was and where the children were baptised, then we can get to work.

Maybe it is time to update the information in your profile?


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