A collection of historical and genalogical records
Hugh Scott-Douglas’ second solo exhibition at the Croy Nielsen Gallery, Berlin, features two new large sculptures as well as new works from the series ‘Chopped Bills’.
Involved in the migration of images and abstractions across the mediums of painting, photography, and pure numerical data, the exhibition is a continuation of Scott-Douglas’ interest in the meanings and metaphors of digitization, economics and the aesthetic potential of mechanical production.
Hugh Scott-Douglas “eyes without a face” installation views at Croy Nielsen, Berlin, 2014
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